Perceptual Archaeology

“A worthy watch at the Streetcar Crowsnest from one of Toronto’s most exciting artistic voices.” By Aisling Murphy for Intermission Magazine.

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"Charming, funny, and thought-provoking, Perceptual Archaeology is an example of the power of theatre." By Janine Marley for A View From The Box

 

“This little travelogue is a genuine tour de force.” by Leslie Barcza for barczablog.

“Bulmer is a warm, charismatic, and whimsically unpredictable presence.” by Istvan Dugalin

“It works beautifully. Alex Bulmer has charm, curiosity, a gentle self-deprecating humour and a keen ability to describe her world through sound, touch, music, smell and awareness of what is around her.” by Lynn Slotkin for The Slotkin Letter

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“I found the show insightful, touching and very funny.” Review on Opera Ramblings

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“Deanna H. Choi and Thomas Ryder Payne’s pertinent sound designs allow the audience to climb into Bulmer’s skin and hear things from her point of view.” by Joe Szekeres for Our Theatre Voice

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“PERCEPTUAL ARCHAEOLOGY gets us to think about the very way we perceive and move through the world, and, for the sighted, about the other ways in which experiences might be open to us.” by Ilana Lucas for Broadway World

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View and listen to The Cup of Hemlock Theatre YouTube video, one-hour long review (with spoilers).

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